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Connecting academics and government

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The LFNY team in front of the gate of the prestigious Harvard campus.

Eighteen Y11 and Y12 students participated in the 29th annual Harvard Model Congress in Boston this year. Lycée students were among 1400 students from 20 states to participate in the government simulation conference organized by Harvard University students.

This year our students assumed roles in the United States Congress, Supreme Court, the Central Intelligence Agency, National Security Council, G20, and President Nixon’s cabinet for the historical committee. For weeks students had been conducting research into their assigned roles in order to faithfully interpret the characters they were assigned. At the conference, they learned about the importance of collaboration and compromise to produce legislation or to reach decisions in their respective committees. “Through the conference, students begin to connect academics with the world around them and, most importantly, begin to get involved and understand the role they can play in changing the world for the better“, one HMC faculty advisor said.

A special tour with LFNY alumni

During the four-day conference, students also had the opportunity to visit Harvard University. We connected with alumni from the Lycée Français who are currently undergraduates at Harvard: Sophia Lajaunie (Class of 2010), Daniela Suarez-Roebling (Class of 2012) and Onyeka Nnaemeka (Class of 2012) kindly gave us a tour of the campus. Some students also attended a class on American Economic Policy and learned about the consequences of long-term deficits, before considering potential solutions. Others attended a chemistry class.

Our students’ team preparation paid dividends with four students receiving awards for outstanding participation and excellence. Among the recipients were Zach P. (Y12), Selin Y. (Y12), Edouard D. (Y11), and Julie K. (Y11). We are proud of the entire team and look forward to returning a strong team for HMC 2015 to match this year’s success.

Read last year’s highlights with students testimonies.


Visite d’enseignants haïtiens au LFNY

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Du lundi 24 au jeudi 27 février, le LFNY a eu le plaisir d’accueillir en ses murs deux enseignantes de l’école Lycée Jean Baptiste Pointe du Sable (LJBPS), localisée à Saint Marc en Haïti.

Depuis le début de l’année dernière, nos deux écoles sont en partenariat et organisent des échanges autour de projets et de questions pédagogiques communes comme l’enseignement bilingue, l’organisation en co-enseignement et d’autres thèmes. Des équipes d’enseignants se sont déjà rendues plusieurs fois dans cette école afin de mener des projets scientifiques et autour de la langue française et d’initier des échanges interclasses.

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Ainsi, deux enseignantes haïtiennes, Alexandra René et Geneviève René, ont visité notre établissement et ont pu rencontrer le plus d’enseignants et de classes possibles.

Leur emploi du temps leur a permis d’observer et de rencontrer toutes les classes de Moyenne Section, Grande Section, ainsi que la plupart des classes de CP et de CE1 en anglais.

Aussi, elles ont rencontré les élèves d’ESL (English Second Language) de la classe de Gretchen Schell, et vous pouvez écouter les commentaires et l’enthousiasme des enfants sur le blog: http://lfnylfsf.blogspot.com/2014/02/haiti.html

Enfin, elles ont rencontré trois classes du secondaire et répondu aux questions des élèves qui se sont intéressés à Haïti et à sa population mais aussi au fonctionnement de l’école LJBPS. Dès qu’ils ont entendu parler de construction éventuelle de dortoirs sur place pour des visites d’élèves du LFNY, ils avaient hâte qu’ils soient déjà complétés pour qu’ils puissent s’y rendre !

Nous avons tous apprécié la chaleur et l’enthousiasme d’Alexandra et Geneviève, la fraicheur de leurs commentaires qui permettent de nous rappeler la chance que nous avons tous d’appartenir à la communauté du LFNY et de travailler dans cet établissement!

Roses, livres et animaux en danger au LFNY

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Les élèves ont dessiné leurs créatures avant de les concevoir sous forme de sculpture en papier mâché.

Cette semaine, nous célébrons les animaux et le bonheur de lire au LFNY. Du lundi 21 au vendredi 25 avril, les élèves-chercheurs de certaines classes de CM2 ainsi que d’une classe de CM1 exposent le résultat d’un travail de plusieurs mois sur le thème de la protection des animaux. En lire plus sur ce post du blog du primaire.

Fiche signalétique d’un des animaux découverts.

Pour ce projet, les élèves ont imaginé des animaux fantastiques, tel le Trirequin, animal découvert par Zoé, et actuellement espèce présente à La Réserve Naturelle, bibliothèque du primaire. Les élèves ont fait un travail de repérage de l’habitat naturel de chaque animal, leur typologie, leurs habitudes. Chacun a une fiche signalétique, qui permet de l’identifier, car ces animaux sont en danger, comme l’explique l’exposition. Rendez-vous à la BCD pour en savoir plus!

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Cette même semaine, le mercredi 23 Avril, la BCD ainsi que le CDI célèbreront la fête de la rose, fête s’inspirant de la tradition catalane de la Sant Jordi : Saint Georges tua un dragon pour sauver la princesse. Du sang du monstre jaillit un rosier, duquel Saint Georges cueillit une rose pour l’offrir à sa belle. Celle-ci, en échange, lui remit un livre témoignant de son amour pour lui.

Ce jour-là, empruntez un livre soit à bibliothèque du primaire ou à celle du secondaire, et recevez la rose de Saint George. La journée sera rythmée par les “lectures” sonneries enregistrées par la classe du CE1 de Géraldine Loup.

Article écrit en collaboration avec Marion Iglesias, Cécile Duquenne et Damien Renon.

IDD, a Collaborative Approach to Learning

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IDD (itinéraire de découverte) is an interdisciplinary discovery project that helps teachers diversify learning strategies, connect disciplines, and teach students how to nurture their intellectual curiosity through research.

Ms. Emilie Lauzy, history-geography teacher, and Mr. Sory Koité, science teacher, guided their eight-grade students through the IDD process of researching and presenting topics on sustainable development in an innovative, technology driven way. Sustainable development is how we respond to our current social, economic, and environmental needs without the depletion of natural resources, endangerment of human capital, nor compromise of the ability of future generations to do the same.

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Leila, Remi, & Theodora created a poster to teach their classmates about the Do’s & Don’ts of effective recycling.

During the spring semester students worked in groups of two to four to complete their research and create blogs featuring news articles, videos, and interviews and prepare their presentations. Collaboration, creativity, and time management were of the essence: “…we divided up the work and met up at the library or at someone’s house to get everything done. Everyone had to be involved in the research, planning, and organizing process, because everyone has to present to the class; you can’t hide!” explained Lea.

What exactly did students present while front and center in the Secondary library? Familiar themes like recycling, pollution, environmental protection, and affordable healthcare were on the menu. Students were tasked with the responsibility of clearly and succinctly explaining the details of their research and intricacies of their websites. They were also required to field questions from their teachers and peers.

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Watching a video created by a student during IDD with teacher Sory Koité.

Cannelle and Eleanor tackled health insurance and affordable healthcare in New York City. They sifted through the words of pundits and general rhetoric on the issues to create an informative website and deliver a comprehensible and concise presentation to their classmates. They compared and contrasted healthcare access across socioeconomic levels and ethnic groups in New York City. For a better understanding of who is impacted and how, they interviewed Dr. Dinali Fernando of the Elmhurst Hospital Center in Queens, N. Y. about her patients and the types of care they seek.

Colin, Lara, and Julia took on pollution in New York City: air, nickel, noise, and soot to be exact. Their tumblr based website features videos and an interview with LFNY’s Director of Facilities, Terrence Kennedy.

Be sure to check out the students’ blogs and learn how you can help to sustainably develop the city we call home.

Un élève du LFNY sélectionné pour la TED Youth Conference

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La popularité des célèbres TED talks gagne le terrain éducatif. Depuis le début de l’année 2014, TED a lancé une branche spéciale pour les écoles appelée TED Ed Clubs. “Il s’agit de ressources en libre accès pour les enseignants qui souhaitent lancer un club périscolaire sur le modèle des TED talks”, explique Caroline Cristal, coordinatrice des programmes chez TED Ed.

Au LFNY, le club TED-Ed reproduit le principe des conférences TED et a pour but de partager les passions des élèves et de développer leurs talents d’orateurs. C’est avec cette envie que tous les lundis, le club se réunit à l’heure du déjeuner. Le ventre rempli par le délicieux repas et les merveilleux cookies offerts par le lycée, pleins d’énergie, les participants commencent par s’interroger sur ce qui leur tient à coeur et comment ils pouvent construire un Talk à la manière de TED.

26 participants face à une audience de 400 élèves venus de tout l’État

Le Lycée Français de New York avait été sélectionné comme établissement-test dès 2013 pour ces clubs. Ainsi à la fin de l’année scolaire, des sujets aussi variés que l’impact des réseaux sociaux sur la vie des jeunes, l’histoire et le futur de l’écriture, le pouvoir d’une photo, les identités multiculturelles, l’aspartame et ses dangers ou encore la science-fiction ont été présentés.

L’équipe TED-Ed club du Lycée Français de New York.

Suite à cette présentation, l’élève de 1ère S Marrec S. (voir son TED Talk au Lycée dans la vidéo ci-dessous) a été invité à reproduire sa prestation lors de la conférence TED Youth Conference, une conférence annuelle ouverte aux élèves scolarisés dans l’État de New York qui a lieu samedi 15 novembre prochain. Seuls 26 participants triés sur le volets se succèderont sur la scène du Brooklyn Museum ce jour-là et s’exprimeront sur le thème “Worlds Imagined”. L’évènement, complet, est diffusé en direct depuis le site de TED Youth.

Les élèves du club TED-Ed du LFNY, encadrés cette année encore par la professeur de science, Sylvie Ozon, et professeur d’économie, Victoire Patouillard, sont fiers et enthousiastes de voir un des leurs à une vraie conférence ! Ce succès les a rendu encore plus ambitieux cette année, et ils projettent d’organiser une conférence publique en partenariat avec TED. Aux élèves du Lycée se mêleront des personnalités de tous horizons.

Sci Fi Versus Reality

Voir les TED talks des autres élèves du club du LFNY:

Marceline D – Social Networks

Allegra B – The (Hi)Story of Writing

Alexandre R – Food Fiction

Marine L – Le pouvoir d’une image

Côme L – Des Racines et des ailes

The Play Must Go On

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Last June, several educators from the Lycée Français de New York, including myself, attended the annual conference of the International Society for Technology in Education (ISTE). In addition to participating in many sessions related to ISTE’s mission of “advancing excellence in learning and teaching through the innovative and effective uses of technology in PK–12 and teacher education”, we had an opportunity to hear a memorable keynote address from Kevin Carroll, author of a best-selling book on “the spirit of play and creativity” entitled Rules of the Red Rubber Ball.

What I most recall from Mr. Carroll’s mesmerizing presentation was his message that everyone, young and old alike, should always approach what they are doing with a sense of fun. Why? Because in adopting a playful outlook, we are more likely actually to have fun, which is an important source of happiness, but, even more significant, we are more likely too to sharpen one of the most valuable skills needed for success in the 21st Century: creativity.

Having fun learning sharpens creativity

Bearing Carroll’s insights in mind, I have made it a habit of carrying with me whenever I am walking around school a puzzle or a riddle or some other form of what in the United States would be called a brainteaser, defined by the Merriam-Webster dictionary as “something…that demands mental effort and acuity for its resolution”, ready to be shared with our students at the earliest chance. They love a good enigma, especially, it appears, when the problem has a mathematical dimension, something like the following: “A person possesses two different jars, one that can hold three liters of water and another that can contain five liters of water. If one needs exactly four liters of water, how does one use the two jars to arrive at the quantity sought.” Or: “once upon a time, there were two swans standing in front of a man, two swans behind a swan, and one swan in the middle. How many swans are there?” Or yet again: “Your bedroom clock is broken and every hour it gains 36 minutes. Exactly one hour ago, the clock stopped, indicating the time of 8:24 AM. And you know that it showed the right time at 2:00 AM. Can you tell me what time is it now?”

Riddles and productive play

Of course, the delight which our primary and secondary students take in tackling such puzzles needs little encouragement from me. The joy with which they go about what Kevin Carroll would describe as “productive play”, understood as activity that is at once instructive and amusing, is clearly innate. Moreover, I know that it is carefully cultivated by their families and purposefully nurtured by our faculty who strive to make learning a process which teaches both logical, structured critical thinking and free-ranging, outside-of-the box creativity, surely a fitting combination for our times. As a result, I was not in the least surprised a week ago when one of our middle schoolers not only found the answer to the riddle I had posed him, but, with the excitement which only play can generate, presented me with his own entertaining problem to solve.

Sir, he affirmed, with a HUGE smile, though I should probably say grin. Imagine you are standing outside of a room containing a single light bulb, which is off, but the door to the room is closed. You are only able to open it up and to go into the room once. With the door closed, you are completely unable to see anything taking place in the room. Outside of the room, there are three identical light switches; however, only one of them is attached to the light bulb and able to turn it on. Knowing that you have the right to turn the light switches on and off as many times as you wish, but as already mentioned you can only enter the room once before making a decision, how you would figure out which of the three light switches is the correct one? Okay, I joked, the play must go on, no puns intended. And I took up the challenge.

Poésie, musique et vidéo se rencontrent dans un cours de français

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Poésie et musique sont deux versants d’une même activité artistique que l’histoire de la littérature a séparés mais que les musiciens, chansonniers, chanteurs contemporains n’ont jamais cessé de rassembler dans leur création. Les grands poètes français, comme Baudelaire, Rimbaud, Verlaine, Apollinaire, ont ainsi été mis en musique par les grands chanteurs de Léo Ferré à Ridan en passant par Serge Gainsbourg ou Georges Brassens, Juliette Greco.

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Deux élèves de 1ere S2 en classe de français.

C’est pour montrer la puissance de ce lien que les élèves de la classe de 1ere S2 ont eu comme consigne de mettre en musique un poème. Certains sont allés jusqu’à la mise en image.

C’est le cas de la vidéo créée par Sarah M, Noémie W et Zoé L autour du poème en prose de Robert Desnos “J’ai tant rêvé de toi“ un des sept poèmes adressés en 1926 par le poète A la Mystérieuse et parus dans Corps et biens en 1930.

Vidéo créé par trois élèves de 1ère mettant en musique le poème J’ai tant rêvé de toi de Robert Desnos.

Les trois élèves ont ainsi pu apprécier l’importance du rythme au sein des textes poétiques mais aussi celles des images qui donnent sa puissance à ce poème d’amour. Leur illustration musicale et visuelle révèle la finesse de leur lecture du texte de Desnos et du contexte dans lequel le poème est paru : en effet, conscientes de l’appartenance de l’auteur au mouvement surréaliste, elles ont eu à coeur de citer dans leur vidéo des images célèbres de Man Ray, dont celle du Violon d’Ingres, photographie étudiée dans le cadre des Epreuves Anticipées du Bac.

Une telle interprétation constitue un pendant très créatif aux analyses textuelles rigoureuses que les élèves mènent généralement en classe de français.

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Nathalie Roussel pousse ses élèves à faire preuve de créativité dans leurs analyses de texte.

Questions aux élèves auteurs de la vidéo.

Qu’est-ce qui a motivé votre choix ?

Ce qui a motivé notre choix c’est avant tout l’idée de challenge. En effet, nous avons choisi un poème en prose, ce qui n’est pas évident à adapter en chanson à cause d’un rythme irrégulier et d’une absence de rimes.

De plus, nous avons trouvé chez ce poète surréaliste une manière originale de présenter la déclaration d’amour. Desnos décrit sa passion pour la mystérieuse comme tellement intense qu’il en devient fou et que l’image de cette femme aimée prend dans son esprit une dimension démesurée. En effet, elle perd de sa réalité pour vivre en le poète lui-même.

Comment vous y êtes-vous prises ?

Nous avions à disposition micro, table de mixage, instruments tels que la guitare et le violon ainsi que des logiciels d’enregistrement et une boite à rythmes.

Notre but était de créer un univers angoissant à l’image du surréalisme et au cours de cette production nous nous sommes rendu compte que plus les idées venaient de manière spontanée et improvisée plus le rendu était intéressant (un peu à la manière de l’écriture automatique mais en musique).

Quels ont été les défis?

Les principaux défis ont été, premièrement de trouver un rythme qui mette en valeur les mots importants du texte et deuxièmement un air qui s’adapte à la prose pour la chanson.

Shakespeare and Pirates

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TED-Ed is the Education division of TED – a global set of conferences run by a non-profit organization that aims to connect people all over the world with the work and ideas of their peers. The company’s acronym stands for “Technology, Education, Design” and its slogan is “Ideas Worth Spreading.”

In the fall of 2013, a representative from TED-Ed came to speak to the LFNY faculty during back to school. She explained that TED-Ed is dedicated to helping teachers transform their lessons into short, animated videos to be shared with other students and teachers online. As a secondary English teacher at LFNY who was in the attendance that day, I thought immediately of a lesson I teach every year about Shakespeare, poetry and… pirates.

The video below represents the fruits of many months’ labor since that moment in September 2013. Working with another educator to develop the original concept, I wrote the script for the lesson, workshopped the animation and consulted with TED-Ed producers to create the video lesson below, which debuted on TED-Ed’s website late January 2015.

In fact, the spirit of TED – in particular its emphasis on ideas and collaboration – has infused the LFNY community of late. This past fall, 1ere student Marrec Selous (by coincidence, one of M. Freeman’s advisees) was chosen to present an original talk at the TED Youth conference in Brooklyn. And Marrec is just one of a number of students in the LFNY TED club, comprised of students who share the organizations penchant for spreading knowledge and ideas.

We encourage you to view and share the video, which should help you understand why Shakespeare is as beloved today as he was 500 years ago.


Inventer pour apprendre

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Following the announcement of our new strategic plan last January, students, faculty and families have been VERY excited about the makerspace we will soon be building for our primary and secondary schools. Those familiar with the concept of “making”, often because they have visited the “makerfaire” that takes place at the New York Hall of Science (NYHOS) each fall, are thrilled to know that the LFNY will be providing a place for creativity that is deliberately tailored to the challenges and opportunities of the 21st century.

For those discovering the makerspace, some explanation is needed, but they quickly see how essential it will be to advancing our educational priorities for the next five years, particularly that of ensuring that all of our students, and not just those who end up choosing the “S” track of the French Baccalaureate, are prepared for the science-, technology-, engineering-, arts- and math-intensive world which defines our times.

Please find below replies to a few of the questions which members of our community have asked, including some especially inspiring words from a remarkable twelfth grade student at the Lycée Français de New York, Ben K. In addition to excelling at our school, Ben happens, to the delight, I am sure, of countless young inventers around the city, to work part-time at the NYHOS.

These “alphabites” were created using the LFNY’s 3D printer, which is currently located in the Primary library, but will ultimately be moved to our makerspace. This alphabetical puzzle was completed by 9th grader Léo D. and Primary ESL teacher Gretchen Schell to serve the needs of an English teacher in our partner school in Haiti, the Lycée Jean Baptiste Pointe du Sable. (credit: Young Kim)

What is a makerspace?

One of the most simple definitions comes from the Maker Education Initiative, a non-profit organization founded in 2012 by Dale Dougherty. Dougherty established the foundations of what has become known in the United States and elsewhere as the “maker movement:” Make Magazine, launched in 2005; and the “world’s largest do-it-yourself festival” otherwise known as the MakerFaire, initiated in the San Francisco Bay Area in 2006 (see below Dougherty’s TED talk “We are Makers,” delivered in 2011).

A makerspace, according to Makered’s Makerspace Playbook, is a place “where…new and experienced makers”, understood as people who imagine something and then transform that something into a concrete object, “work on real and personally meaningful projects, informed by helpful mentors and expertise, using new technologies and traditional tools.” NB. These technologies and tools vary from one such place to another, but typically range from sewing machines to soldering irons to woodwork lathes to graphic design software to 3-D printers to laser cutters.

Yet enticing as it is, this list is not what matters most. As our Terminale student Ben K. explains, “A makerspace is a place where people have the space, resources, and environment to make what they want. The tools are second to having a space where people can make, and where people can talk about making. While we are in NYC, and garages and backyards are few, I think a space to make stuff, and space to store projects when not making, are among the most important parts of a makerspace.”

What is the educational philosophy behind a makerspace?

On both sides of the Atlantic, whether it be Jean Piaget in Switzerland or John Dewey in the United States, educational philosophers have long appreciated the exceptional value of learning by doing. For Piaget, “to understand is to invent”, i.e. the deepest understanding is often that which a person is able to build himself or herself, no puns intended. Or as Dewey affirmed in Democracy and Education, the path-breaking book he published in 1916, “give the pupils something to do, not something to learn, and if the doing is of such a nature as to demand thinking; leaning naturally results.”

Perhaps the most compelling arguments in favor of “making” come from one of the great figures of integrated science-technology-engineering-art-and-mathematics education, MIT Professor Seymour Papert, whose research and practice have demonstrated the extraordinary power of not just equipping students with a creative mindset, but also taking “a step further towards action.” For Papert, “Although the learning happens inside the learner’s head, this happens most reliably when the learner is engaged in a personally meaningful activity outside of their head. This shareable construction may take the form of a robot, musical composition, papier maché volcano…” (Sylvia Libow Martinez and Gary Stager, Invent to Learn: Making, Tinkering and Engineering in the Classroom). What a makerspace allows is precisely this extension of creative thinking into creative doing.

Why is a makerspace so important to 21st century education?

While learning through doing has always been important, this pedagogy is especially relevant for the world of today and tomorrow. The memorization of knowledge is no substitute for the curiosity, problem-solving, inventiveness, experimentation and perseverance which together constitute what Harvard Professor Tony Wagner describes as the most vital competency for our emerging century: innovation. David Wells, who oversees making and learning at the New York Hall of Science, contends: a makerspace teaches “kids how to break down their big ideas into smaller components in order to figure out a plausible first step”, to “become familiar not just with makerspace tools but, more important, with the process of finding, accessing and using information to teach themselves how to do whatever it is they want to do, and make whatever they want to make…We’re developing the ‘I can’ mentality.”

The Makerspace at the New York Hall of Science. (Credits: NYSCI)

Moreover, as our student Ben has shared with me, makerspaces empower self-motivated creativity: “A makerspace would allow students to follow interest-based learning, where it’s their interest to build something that leads to them learning. When I wanted to create a system which lights up lights based on what frequency of music is playing, it led me to learn essentially everything in the program about electricity, and much beyond that, in order to create the circuit.”

If you would like to learn more and contribute your own thoughts about the makerspace we are designing for 2016-17, please do not hesitate to contact me. Keep your eyes peeled too for additional blogging on this topic in the coming weeks, as well as a special meeting this fall dedicated to making. For Ben K. , “I don’t dream of making any one thing. I dream of making what I want. And this is only what I dream of creating for myself. If I look at what can be made to benefit others, the possibilities are endless.” Dear members of the LFNY community, we owe it to our students to support this vision.

NB. The heading of this post is the French translation of the title of the outstanding book by Sylvia Libow Martinez and Gary Stager, “Invent to Learn: Making, Tinkering and Engineering in the Classroom” (Torrance, California: Constructing Modern Knowledge Press, 2013)

Avec le project-based learning, l’élève devient artisan de ses savoirs

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Prospectus à la mise en page léchée, présentation powerpoint comprenant statistiques et cartes précises, voire même port de la cravate pour l’un des participants… nous ne sommes pas à une réunion d’un conseil d’administration, mais bel et bien dans un cours de 1ère un peu particulier.

Après trois semaines d’étude et de préparation, les onze élèves de ce cours de géographie sont légèrement tendus et pour cause, ils vont passer, par groupe de trois, devant un jury de professeurs et employés du Lycée présenter à l’oral un projet d’aménagement du territoire, un sujet qui fait partie du programme du bac. Bien entendu tout cela n’est qu’un exercice, mais un exercice qui vise à simuler les conditions du réel.

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Un groupe d’élèves de 1ère présente son projet d’aménagement du territoire face à un jury d’enseignants du LFNY, dans un cours de géographie en octobre 2014.

“Les divisions territoriales, les regroupements de communes et les territoires de projets sont des notions qui font partie du programme de géographie en 1ère, mais qui sont très abstraites pour des élèves vivant aux États-Unis”, explique Florent Lacroix, professeur d’histoire-géographie au Lycée Français de New York. Ces concepts d’aménagements du territoire sont en effet en usage en France, mais sont peu transposables dans la géographie américaine. “En tant que professeur, je n’étais pas tenté par l’idée de faire un cours magistral sur un sujet qui n’accroche pas chez les élèves, alors avec ma collègue Émilie Lauzy, nous avons décidé faire de la pédagogie active.”

Pédagogie active

La pédagogie active n’est nullement révolutionnaire. Dès le début du XXème siècle, le pédagogue suisse Adolphe Ferrière affirmait: “Les acquisitions ne se font pas comme l’on croit parfois, par l’étude des règles et des lois, mais par l’expérience. Étudier d’abord ces règles et ces lois, en français, en art, en mathématiques, en sciences, c’est placer la charrue devant les bœufs.” Cette idée selon laquelle c’est en faisant que l’on apprend est au coeur de la pédagogie active, appelée en anglais Project-Based Learning.

Le project-based learning encourage les élèves à travailler en groupe et à apprendre des compétences des uns et des autres. “Un élève très scolaire pourra développer sa créativité et sa prise d’initiative par exemple”, explique Florent Lacroix.

Transposer les apprentissages dans le monde réel est une méthode déjà largement utilisée au LFNY. La main à la pâte, une approche d’enseignement des sciences dans le primaire fondée sur l’investigation, en est un exemple. Dans le secondaire, les itinéraires de découvertes (IDD) et les travaux pratiques encadrés (TPE) de 1ère visent à décloisonner l’enseignement et amener les élèves au croisement des disciplines ainsi que le travail de groupe.

Retour dans la classe de géographie, où les élèves proposent, chiffres et arguments à l’appui, d’ouvrir un orphelinat dans la banlieue parisienne pour redynamiser l’économie locale. Le groupe suivant veut, lui, convaincre de la nécessité d’ouvrir un parc aquatique dans une zone sinistrée de Bretagne nord afin de développer le tourisme centré sur le développement durable.

Sortir de la salle de classe: une motivation pour apprendre

Plus que le projet final, ce qui compte dans cette approche project-based learning, c’est le processus, explique Heather Wolpert-Gawron, enseignante au niveau collège à Los Angeles et passionnée par le sujet. “Le project-based learning vise à apprendre plusieurs sujets simultanément. Nous aidons les élèves à identifier un véritable problème (qu’il soit local ou mondial) et d’y apporter une solution. Pour cela, ils doivent présenter des arguments pour étayer leur approche, en utilisant des outils multimédia. Les élèves développent leurs apprentissages au fil de leur projet, en se référant aux cours, en travaillant en groupe, en s’évaluant les uns les autres.”

Trouver des liens avec le monde extérieur pendant les cours est incroyablement motivant pour les élèves. Sylvain Pappalardo, lui aussi professeur d’histoire-géographie au LFNY, en a fait l’expérience lorsqu’il a décidé d’aborder l’étude de la mondialisation par le prisme d’une entreprise multinationale: L’Oréal. Avec ses collègues Carine Gibert et Florent Lacroix, il a emmené tous les 4èmes au siège social de l’entreprise à New York qui ont pu faire l’expérience d’une explication détaillée des acteurs et des stratégies de la firme transnationale.

“Les élèves aiment sortir de la classe, c’est plus concret pour eux de partir à la rencontre d’acteurs qui leur parlent de leur métier, de comprendre ce qu’est un siège social”, explique Sylvain Pappalardo, qui estime que ses élèves ont, de ce fait, mieux saisi les concepts de la mondialisation que si ils les avaient étudié à travers une étude de cas classique en classe à partir de documents. Mais attention, le projet ne se substitue pas à la leçon, il le complète: “il permet de donner un aspect plus concret à des idées plus abstraites”, souligne l’enseignante en histoire-géographie Émilie Lauzy, “c’est aussi plus intéressant pour le professeur, qui sort du cadre répétitif du cours magistral pour endosser un rôle de guide et de conseiller”, ajoute-elle.

Rendre l’élève artisan de son propre savoir, décloisonner les disciplines, faire tomber les murs entre les salles de classe et le monde réel, autant de perspectives hautement réjouissantes pour le proviseur du LFNY. “Cette approche du project-based learning est l’une des priorités stratégiques de l’établissement car elle reflète la façon dont fonctionne le monde actuel, un monde auquel nous devons préparer nos élèves”, conclut Sean Lynch.

Vidéo de Pascal Kerbel.

Le mois prochain, nous nous pencherons sur le project-based learning dans l’école primaire.

Creativity and Intelligence through Entrepreneurial Learning

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Disruptive shifts in technology and the globalization of the world’s economy have sparked intense debates about the future of education. Part of our mission at the Lycée Français de New York is to analyze educational research so that we may uphold academic excellence, support the social development of our students, and foster responsible citizenship. MakerFairThis summer, I was fortunate to receive support from the Lycée to address the question of how innovative instructional methods could promote the civic education and career readiness of our students. Cross-examining research in neuroscience and education and the work of social entrepreneurs, I discovered that project-based learning (PBL) is a promising avenue for transforming pedagogical paradigms in order to cultivate creativity and instill an entrepreneurial mindset in students.

Children created giant cardboard robots during the Maker Faire 2015 in the Bay Area.

In 2010 Newsweek Magazine asked whether there was a creativity crisis in America. The pressure on schools to measure achievement via testing appeared to be stifling creativity among students. Education scholars have noted that students in the United States suffer a 50-60% decline in creativity between the ages of 5 and 9. Meanwhile geographer Richard Florida argued that the motor of the contemporary economy is the creative class. Sir Ken Robinson explained that schools are often guilty of killing creativity because they teach students to avoid failure. On the contrary, in order to have an original idea, individuals must take the risk of being wrong.

“When teachers instill a “Growth Mindset” among their students, creativity and intelligence will flourish.”

Psychologist Carol S. Dweck has investigated the roots of the creativity problem through the lens of intelligence. She found that a difference in mindset regarding intelligence could explain how individuals learn. When people exhibit a “Fixed Mindset” they believe that intelligence is static. Therefore, they seek to appear intelligent with pernicious consequences, such as avoiding challenges, shirking from obstacles, giving up easily, ignoring useful criticism, and feeling threatened by the success of others. On the other hand, a “Growth Mindset” empowers individuals to feel that intelligence can be developed. As a result, students in this Mindset will have the desire to learn by embracing challenges, persevering in the face of obstacles, considering criticism as helpful, and finding inspiration in the success of others. When teachers instill a “Growth Mindset” among their students, creativity and intelligence will flourish.

A tangible way of stimulating innovation and creativity

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At a time when some schools are cutting programs in the arts, others are finding new ways of integrating the arts into non-artistic disciplines. Arts education is a tangible way of stimulating innovation and creativity. Research (link to a pdf “How Creativity Works in the Brain”) sponsored by the National Endowment for the Arts on creativity and the brain has important implications for schools. When teachers integrated the arts into non-artistic subjects, students reported higher motivation to learn and an increase in their retention of knowledge.  The NEA’s study touted the benefits of teaching art because it stimulates “divergent thinking,” meaning that students can envision multiple possibilities in response to a problem. Neuroscientist Gregory Berns asserted in the Stanford Social Innovation Review that iconoclasts perceive the world differently, which enables them to innovate. At the Lycée Français student projects in arts plastiques classes are always assessed on the degree to which the student has taken creative risks.

Exploring real-world problems

When a teacher extrapolates lessons from the organization of arts classes and studies on creativity and the brain, this leads logically to a reexamination of instructional methods. For instance, it is possible to replicate the conditions that encourage a “Growth Mindset” and “divergent thinking” through the implementation of Project-Based Learning. PBL is a dynamic approach to teaching in which students explore real-world problems and acquire deeper learning, according to Edutopia. The advantages of PBL are many, including increased long-term retention, improved problem-solving, communication, and collaboration skills, and a better understanding of professional environments.

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To take PBL a step further in the direction of our creative economy, educational scholar Yong Zhao has challenged schools to consider PBL as “Product-based Learning,” with the critical difference being a student project culminating in some sort of product or service being created to respond to a need. When students produce an artifact, they take personalized ownership of their learning and also gain valuable experience as creators in the new creative economy. The Maker Revolution has been underway for nearly a decade with Maker Faires exhibiting the innovations of home-inventors. A school that implements PBL successfully can serve as a social laboratory that not only studies problems, but also generates student-inspired solutions.

Students should learn to “make a difference”

The Lycée’s mission to instill responsible citizenship compels us to explore how students can better serve the local and global community to foster sustainable development. The Maker Revolution and Product-Based Learning are certainly open to ventures that urge students to “make a difference.” Thus, teachers at the Lycée are exploring ways of integrating social entrepreneurship into our secondary programs. Since September 2014, the Lycée has a formal partnership with Ashoka called LFNY Youth Ventures, which takes the form of a ninth-grade club. This club, which will start later this month, encourages students to study and imitate social entrepreneurs who come up with innovative solutions to society’s social problems by offering new ideas for wide-scale change.

Startup Weekend EDU (see video presentation below) provides a crash course for teachers to create and launch a social enterprise in response to real-world needs. Inspired by the Startup Weekend EDU initiative, the LFNY is in preparation to organize its own, for young people.

Growing our educational programs in the service of the global community while stimulating the creative forces of our students is already underway at the Lycée. Our mission inspires us to impart initiative, intelligent risk-taking, collaboration, and opportunity recognition among students. These skills will enable them to encounter the complexity of the modern world confidently, as capable change makers, thanks to the entrepreneurial and growth mindset we aim to instill.

Learn more:

Entreprendre“, a post by Sean Lynch about Developing our students’ entrepreneurial potential.
Our Growth Mindset“, a post by Sean Lynch about how to foster an approach to learning based on the growth mindset.

Journées plus courtes, classes repensées

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At back to school 2016, student schedules in middle school and high school will undergo a major reform, with the creation of block scheduling. Each day will have fewer classes of longer duration, and many classes will extend to a double period to allow more time for in-depth study and collaborative work. School days will no longer extend late in the day, limiting classes after 4pm.

LFNY: Where does the idea of block classes come from?

Nicolas L’Hotellier (NLH): It started almost four years ago with our discussions on student well-being and the rhythm of the school day. We were focused on how to better organize time and space for our students. With the construction of the new York Wing, we’ll have additional classroom space, which will make it possible to implement the schedule.

Why increase classes from 45 to 55 minutes?

NLH: Until 2009, Secondary classes were 55 minutes long, following the standard of the French educational system. But, when we added dialogue hours for individual teaching support to students, we had to reduce class time to make up for that lost class period. We have always envisioned revisiting that decision. But, it was imperative that we keep dialogue hours in place, as they have been such a tremendous improvement for our students.

Y5 visit to Y6 classes-1

Starting in September 2016, all class periods in secondary will be organized in blocks of 55 minutes. Our own research shows that it takes about 8 minutes for students to get settled and ready to learn in a class, and that the last few minutes of class are spent collecting their things for the next class. That doesn’t leave enough time for focused teaching of students. We knew had to find a better solution.

Why teach in blocks?

NLH: If you look at a typical schedule today, each student has up to eight different teachers in a single school day. This “Taylorist” view of scheduling was no longer in line with our vision for teaching at the Lycée Français. To really support our students in the acquisition of knowledge and understanding, they have to have more time in each subject — time for project-based learning, for group work, for research, for experimentation, and time for teachers to individualize their approach to the different levels in a class. This is difficult in 45 minutes, and still difficult in 55 minutes. We will be implementing teaching in blocks, with a course length of 110 minutes, or 2 class periods.

110 minutes of class. Isn’t that long?

NLH: Students and teachers will benefit from this new approach. Longer class periods will reduce time that’s wasted when students transition from one class to another. More important though, because teachers will have fewer classes to prepare each day, they will be able to spend more time going into depth in each class with their students. When one thinks of 110 minutes in a standard lecture hall, I would agree that’s too long. In the new block schedule, time in the extended class sessions will alternate between group and individual work, lecture time and also testing time. The format and organization of each class is at the discretion of the teachers, which will give them more freedom to organize classes as they would like and to innovate in their teaching.

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There is a tremendous benefit to our students in studying in one extended period rather than having shorter classes a few times a week. With shorter and more frequent class periods, students have to stop and start more often in each subject, and, in essence, start over again with each class and with shorter class periods, they don’t have time to go into deeply into concepts. Of course, some adaptations are planned, for example, in the case of world languages classes (langues vivantes), where frequent encounters with the material are better.

Is the new schedule compatible with our accreditations?

NLH: Absolutely! The different tracks and baccalaureate formats, as well as all the electives we offer at the Lycée Français de New York, make us unique. We should note that the important place of our extra-curricular activities, and challenging scheduling time for them for all students can be. But, we believe we have found a solution in this structure of teaching, which will respect not only our academic program of the French Ministry of National Education, but also allow our students to leave class earlier so that they can make time for extra-curricular activities, whether sports, arts, music, technology or whatever area they choose to explore. With this new schedule, we are able to use the autonomy that we are given by the French Ministry of Education to meet the unique needs of our own students.

New Space on York Avenue Opening in September 2016

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York Wing Facade

The new York Wing adds 19,000 square feet to the existing school.

Why did the Lycée acquire this new building?

We have known for a long time that we needed more space. Our school was originally built for 1,000 students. Today, we have over 1,350 students, and we feel the need for more space every day. What triggered the renovation was all the work done over the past few years by the pedagogical teams on teaching and learning (and encapsulated in the Strategic Plan). That’s what made it possible for us to decide how we would use this available space and renovate it.

Who does this new building serve primarily?

With the opening of the new York Wing, we will gain 19,000 square feet of space to be used for both students and for teachers. We took this opportunity to locate needed spaces in the best possible location across both buildings.

First, we are making room for a new Student Support and Advisory Center, easily accessible on the second floor of the Secondary building by moving the Business Office, HR, Development, Communications and Cultural Center staff to upper floors in the new space.

Then, we are creating teacher work and collaboration spaces out of existing Secondary classrooms and a lunchroom for faculty and staff directly accessible from the cafeteria by converting the computer lab located behind the Secondary library.

A student lounge will have a view over a new Media Lab in the York Wing.

In the York Wing, we are creating new areas for students to work or relax, next to a new Media Lab and on each of floors 2, 3 and 4. The second-floor reception in our existing building will also be transformed into a student space.

The classrooms eliminated from our existing building are re-created in the new building, but larger and better suited to 21st Century Learning techniques (project-based learning, group work, use of laptops, iPads and Smartboards).

In the York Wing, we are also creating new teaching and learning spaces: a second motricity room, a Maker Space and a Media Lab.

Will Primary students have access to the new space?

Yes! The motricity room, Maker Space and Media Lab will be utilized by various Primary classes and clubs. More specifically, the motricity room will be for the Maternelle and lower Primary grades, and will also be used later in the day for Secondary theater rehearsals. It will be on the second floor of the York Wing.

A rendering of a Teachers Working Space in the Secondary building that will now span across two classrooms and have natural light.

The “Maker Space” in the southern end of the drive-through will be used for innovative curriculum in the areas of making and creating. It will be used by Primary and Secondary classes and clubs.

Finally, the “Media Lab”, located as one enters the York Wing from the second floor of the Secondary, will enable video and other digital creations, and will also to be used by both divisions.

How does the York Wing impact the use of space in the main building?

The main impact is the transformation of existing spaces, which give us the new Student Support and Advisory Center, teacher work and collaboration rooms on the 3rd, 4th and 5th floors, but also a Music Room on the second floor of the Primary, and dining/convivial space for faculty and staff.

Who are the Media Lab and the Maker Space for?

The Media Lab will be used for the teaching of the primary media curriculum, which includes the fifth graders” TV news club Journal Télévisé as well as the cinema elective taught in tenth, eleventh, and twelfth grade.

A 3D rendering of the Media Lab.

The Maker Space will become an important part of our developing pluri-disciplinary curriculum in STEAM (Science, Technology, Engineering, Arts and Math).

We are working with faculty on how to best utilize these new spaces to enhance our existing classes. Our current thought is to open these spaces initially to classes with specific projects to be accomplished. In the future we plan to have project-based classes and clubs scheduled in the spaces. All but Maternelle and early Primary grades will eventually have access to these two specialized spaces, which will be equipped over time. We will be learning some exciting possibilities as we go!

Will the buildings connect? Will there be an entrance on York Avenue?

One will enter the York Wing from the reception area on the second floor of the Secondary building, walking past the elevator through what is currently a classroom (S214). The entrance on York Avenue will be used only as an emergency exit.

When does it open?

The new building and the new spaces will be open for Back to School 2016. In the meantime, I encourage you to come see the exhibit showcasing the new spaces. Located on the Lycée’s first floor, it features many renderings that will give you a better sense of what to expect in September.

La réforme du collège : qu’est-ce qui va changer?

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In Fall 2016, France will implement a reform of its middle school curriculum. The Lycée Français de New York, as a French accredited institution, will integrate these changes, which will affect our academic programs and teaching practices. Nicolas L’Hotellier, Director of the Secondary School and Assistant Head of School, explains the new policies and how the school has already been putting many of them into place.

What does the middle school reform consist of?

There are three major elements to the French reform: the promotion of Project-Based Learning with the creation of practical interdisciplinary lessons, (an EPI or parcours), as well as extended personalized lessons in certain subjects (French, math, English); the introduction of physics in sixth grade (instead of seventh grade) and of a second foreign language (LV2) in seventh grade (instead of eighth grade); and, finally, the continued teaching of Latin as an elective, but in a reduced class period which can be completed through a parcours. The video below (in French) explains what’s changing in the French schools due to the reform.

This reform has not been without controversy in France.  Are we ready to implement it here?

The reform provoked controversy In France, largely because it aims to remedy a school system that, in France, does not provide an equal level of education to all. However, our feeling is that many of the components of the reform are heading in the right direction, and the Lycee is already well on its way to implementing them.

In many ways, the Lycée already goes beyond the French government’s recommendation.

For example, with regards to personalized support for lessons, the school has, over the past few years, widely expanded its offerings most notably by establishing dialogue hours with teachers (which will increase under our new Secondary schedule), an advisory program (with the number students per advisory group reduced from 12 to 8), and beginning in Fall 2016, the creation of special remediation classes in math and French for students in sixth grade to ninth grade.  

What is the place of world language teaching in the reform?

In many ways, the Lycee already goes beyond the French government’s recommendation. In essence, the reform requires the teaching of a first foreign language beginning in first grade and a second foreign language starting in seventh grade. At the LFNY, in addition to French and English, which our students learn starting in Preschool, they can choose between four second foreign languages as early as sixth grade, and Mandarin, which is taught to all students beginning in third grade.  

A Latin class with teacher Céline Ribrault in middle school. Latin will continue to be offered as an elective starting in seventh grade, but it will be offered for fewer hours under the reform.

In terms of ancient languages, Latin will continue to be offered as an elective starting in seventh grade, but it will be offered for fewer hours under the reform. Ancient Greek will continue to be offered beginning in ninth grade for two periods of each seven-day cycle.

What are “parcours”, and how will they change the structure of middle-school classes?

Parcours offer a practical, interdisciplinary approach to teaching and learning (or enseignements pratiques interdisciplinaires “EPI” in French) by introducing learning through projects, or in other words, Project-Based Learning.

The new seven-day cycle of the Secondary school schedule offers longer class periods and allows teachers to alternate between full class time and small group work.

We are excited about this aspect of the reform, because it is considered a best-teaching practice, and it is in line with an approach we have been developing for some time. We are convinced that this format is a terrific way to engage our students in subject matter in new, more hands-on ways. The school has already developed professional training for our faculty in this approach, and we will continue to do so. At the same time, the new seven-day cycle of the Secondary school schedule offers longer class periods and allows teachers to alternate between full class time and small group work.  

The parcours are offered to middle-school students every semester, and they end in a project or a student production across many disciplines. Students will have two distinct parcours per year.

What are the themes of these parcours?

In combining the principal directions of our strategic plan (STEAM, cultural and artistic exploration, bilingualism and pluriculturalism) and themes recommended in the reform, each student will do two projects a year based on different themes.

For example, a parcours on urban planning would combine the teaching of geographical and mathematical skills. In the second part of the year, a parcours might introduce knowledge of Ancient Greek civilization and the way in which the Greeks perceived the universe. In this case, the learning history and science will be fostered.

Translated from the french by Katherine Tucker.

Learn more:
“FAQs about the new organization of middle school” on the French website Eduscol.

The new seven-day cycle of the Secondary school schedule will be the topic of M. L’Hotellier’s next blog post in early May.

Une expérience de classe bilingue au LFNY

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Beginning in September, 2015, a dozen tenth grade students have been the pioneers of a bilingual pilot class. Two French and English literature teachers decided to adopt an original pedagogical approach by drawing on the language capabilities of their students and the linguistic and literary connections in their respective classes.

Called “2nde Lit-Litt” – a play on the words “littérature” and “literature”, this experimental class seeks to align the themes and concepts explored in the two classes in order to create bridges for the students in their learning while still adhering to the tenth grade curriculum for these two subjects.

The teachers are tackling such literary genres as satire, classical literature, tragedy, 19th century novels, 20th century essays and even poetry at the same time in their classes. For example, in March, the students studied 20th century American poets by writing about Paris in their English literature class, and French poets of the same period by writing about New York in their French literature class.

The idea for this pilot class emerged from research work on bilingual teaching strategies led by both teachers together during the summer of 2014 pursuant to a grant awarded by the LFNY. “We wanted to link our units together in order to create something more consistent”, explained Odile Sheehan, a teacher of French literature at the Lycée Français de New York since 2003. “This is a positive approach for our students on several levels such as analysis and comparison of texts”, added Margaret George, teacher of English literature who has been teaching at the middle school and high school levels at the LFNY since 2008.

“Even if bilinguals sometimes have difficulty expressing their ideas in a single language system, they possess analytical skills and a deeper understanding than monolinguals – that’s what the research shows and that’s also what we see in our classrooms”, explained Margaret George, English literature teacher at the Lycée Français de New York.

“We are studying books that have connections to one another in the two classes. It’s more interesting”, Guillaume, one of the students in the “2nde Lit-Litt” pilot class, pointed out. During the second trimester, in fact, the students studied tragedy in literature with Shakespeare’s Othello (in English) and Racine’s Britannicus (in French). “Instead of teaching specific works, certain movements or genres independently in English or in French, we wanted a course curriculum that would be coordinated and aligned between our two classes. Two syllabi combined in one syllabus”, summed up Ms. George.

To this end, the students are studying the theme of jealousy, a theme that is present in both Othello and Britannicus, and they are making comparisons between the two works. In Othello, jealousy is evoked by the “green-eyed monster”, though we also find this association between green and jealousy in French in the expression “to be green with jealousy”. “Allowing students to make this connection between the expressions in the two languages is going to help them remember, rather than learning them separately with an interval of six months”, observed Christine Hélot, researcher in the field at the University of Strasbourg and educational consultant at the LFNY for the 2015-2016 academic year.

But beyond the themes, the teachers are also bringing up the vocabulary of the structure of a play and the comparisons between the French work and the English work. For example, what we call the “expository scene” in French – the first scene – is translated in English as “opening scene”, but this does not cover exactly the same thing: the expository scene is thus a very important component of French plays.

“We have to accept that bilinguals think differently than monolinguals”, according to university specialist in multilingual education Christine Hélot.

“The teachers verbalize the relationships between the texts, the vocabulary and the concepts studied and that encourages students to do the same, to have a truly bilingual approach to their courses”, remarked university specialist Christine Hélot who had the opportunity to observe a10th grade Lit-Litt class. But which language do they speak in these classes?

Translanguaging

For Margaret George, English teacher, this is an important subject. “The parameters for their work must be clear: She emphasized that students cannot speak whichever language they want whenever they want”. Therefore, when comparing texts, they are allowed to cite the texts in their original language, but the analysis must be made in the language of the course. “During class discussions, I sometimes allow translanguaging”, the teacher explained, meaning use of the language of their choice, “but after the discussion, rephrasing in the language of the course is necessary in order to help all of the students express their ideas in the language of learning.”

Not prohibiting a language from a course is a better approach for a bilingual student population, according to specialist Christine Hélot: “Accepting the dominant language of the child allows him or her to be open to learn the other language, the one that is not as strong”, she explained. “We must accept that bilinguals do not think the same way monolinguals do: They are constantly going back and forth from one language to the other. They don’t think in each of the languages in isolation.”

Margaret George and Odile Sheehan teach class together regularly. One will come to the other’s class and vice versa. In that case, we are attending a class in which the students are navigating from English to French and are encouraged to express their ideas and to offer translations. “There are discussions during class; it’s very interactive”, one student emphasized. In this space where both languages are accepted, speech is freer: “Class participation is much better”, observed Odile Sheehan.

Emphasis on other skills

Students especially enjoy translation exercises, which are frequent in class. “We help each other: Those who are stronger in English speak more during a translation from French into English and vice versa”, indicated Zai, a student who admits she enjoys the experience. Class participation is a key indicator, according to Margaret George “because it is a sign that the students are mastering the texts.”

The teachers have succeeded in altering the class dynamic: Even though they guide and direct the students, they do not have all the answers. “In translation exercises, some students are much stronger in English than I am”, smiled Odile Sheehan, who added that “these exercises allow them to become aware of their bilingual skills which they do not always have the opportunity to show off.” The students appreciate having their teachers see them in a different light when they teach together. Students who remain silent in French, as a rule, express themselves more in English class and vice versa. Everyone realizes that there is no hierarchy between languages and that everyone is free to express himself or herself even if his or her language level is not as high as his or her neighbor’s. “We help each other and together, we make progress”, concluded one student.

Translated from French by Nicole Efros.

Un calendrier sur 7 jours

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In September 2016, the Secondary school of the Lycée Français de New York will put into place a new student schedule organized over a cycle of seven days, instead of a traditional five day weekly calendar. This important change, pioneering for a French school, is the result of three years of deep reflection and examination of our current practices. Nicolas L’Hotellier, Proviseur adjoint-Director of Secondary, talks about the change and what it will mean for our students.

LFNY: Why move from a five- to a seven-day schedule?

Nicolas L’Hotellier: The move to a cycle of seven days is the result of three years of research and reflection, starting with the importance of well-being for our students. Our current school schedules are packed, and space has been limited, which has created much stress for our students as well as our teachers. The stress is not good for learning, and it became clear that we needed to find a better equilibrium in the school day for all. We also had to take into consideration our curriculum, French school reforms, our American heritage and the direction of the school’s strategic plan.

To help us in our research, we worked with Independent School Management, a consulting firm, which undertook a deep review of the school in 2013. Their study advised that we consider lengthening the amount of time our students spend in each subject each day, to reduce the “stop and start” sense of each class and to better use the time each day. In particular, the study noted that the number of class changes each day resulted in a loss of precious class time from the beginning and end of each class.

Example of 7 day schedule for a 6 grade class (click on the image to enlarge it).

The study also noted that though 45-minute class periods have some merit, they make it much harder for teachers to implement different approaches to teaching in class. Their research also underlined the heavy homework load our students carry, which had much to do with the sheer number of classes the students had to prepare for each day. Having fewer classes to prepare will help them better organize and manage their time.

The implementation of block scheduling along with a 7-day cycle of classes will slow down the stressful rhythm of our students and enhance the quality of our teaching. The opening of the York Wing in September will help to mitigate the space constraints, reducing stress for students and teachers alike.

What is the major benefit of a 7-day class cycle?

NLH: Moving away from the rigidity of five-day schedule is essential here. That last class on a Friday afternoon is a great example…In a fixed schedule that’s the class that suffers, the one right before a weekend, when the fatigue at the end of the week is at its peak…With a seven-day cycle of classes that Friday afternoon class, will fall on a Tuesday the next time. In other words, the schedule will be more balanced for all.

Another big advantage has to do with school holidays. Holidays often fall on the same day of the week, such as Fridays and Mondays. In a five-day cycle of classes, classes on these days tend to be missed the most often. With a seven-day schedule, we will know a year in advance what day falls on a holiday and simply be able to move that to the next one.  For example, let’s take Martin Luther King Day, which falls on a Monday. That Monday will no longer be part of a cycle. If the Friday before is “Day 2”, for example, then “Day 3” will fall on the Tuesday.

With fewer classes each day, it means longer class periods.

NLH: That’s right. We have increased the length of each class period from 45 to 55 minutes, and most classes now will consist of two periods, or 110 minutes. There will be exceptions, such as in the case of World Languages, where frequent, regular exposure to hearing, reading and speaking the language is important. With a school day that ends at 4pm at the latest each day, our students will no longer have six classes each day. On average, they will have about four classes a day. This reduction in the number of classes is essential, as research shows that the fragmentation of classes does not support the retention of knowledge.

Diversity Discussions-11

With the 110-minute period, Lycée teachers will have time to use different teaching styles alternating from lectures, to group work, to class discussions, to games, simulations and project-based learning.

According to pediatric scholar Mel Levine, and as cited by Independent School Management in its report, “long term memory works best when there’s sufficient time for consolidation. This does not occur when you partake of social studies for forty minutes followed by algebra for forty minutes, then English for forty minutes, and, immediately thereafter, physical education. Switching from one subject to another pretty much prevents the consolidation of the one that preceded it.”

How will teachers be prepared to teach for 110 minutes?

NLH: Our teachers, especially our French ones, are used to teaching for double periods, which is not uncommon in France. However, we’re not talking about 110 minutes of lecturing. With the 110-minute period, Lycée teachers will have time to use different teaching styles alternating from lectures, to group work, to class discussions, to games, simulations and project-based learning. We are actively training our teachers in project-based learning, a key approach being introduced this fall and which would simply not be possible without longer class periods.

Is the new schedule compatible with after-school activities, which will stay on a five-day cycle?

NLH: Thanks to the new schedule, all students will end their classes by 4pm each day. As most after-school activities start at 4pm, classes will no longer be interrupted and vice versa. Athletics practices and home games will take place after 4pm, with the exception of away games (outside of the Lycée), where our students will still be excused from class earlier.

How will I know what “day” it is?

NLH: We are implementing a number of communication tools to let the students and you know what day of the week it is. Through Pronote, Secondary announcements, the weekly newsletter L’Essentiel, sent to the entire community… We’re also strategizing about additional means to make this information visible in the school to make it easier for everyone.

Read more: “Shorter Days, Stretched Classes” article from November 2015 on the LFNY Life Blog.

Apprentis moussaillons à la barre

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Cette année, deux enseignants en école primaire ont décidé de suivre les courses à la voile du navigateur Tanguy de Lamotte, à bord de son bateau “Initiatives Coeur”. “Relier son cours avec la réalité est extrêmement motivant pour les élèves”, souligne Philippe Le Vessier, l’un des deux enseignants en CM1 ayant décidé de suivre le périple de ce skipper français.

Initiatives Coeur bateau

Le bateau de Tanguy de Lamotte, Initiatives Coeur, fait un rond dans l’eau sous les acclamations des élèves de CM1 du Lycée Français de New York.

Le projet a commencé en octobre 2015, période à laquelle a eu lieu la Transat Jacques Vabre sur un petit peu moins d’un mois. Les élèves ont été enthousiastes à l’idée de suivre quasiment en direct les moindres faits et gestes des deux skippers de cette course. En effet, le site internet du bateau permettait de savoir jusqu’aux menus des navigateurs, mais aussi leur position dans la course ou encore l’allure et la vitesse du monocoque en temps réel.

Initiatives Coeur“Une course à la voile est une excellente occasion pour illustrer des notions propres à la géographie, aux mathématiques, à la littérature, à la découverte du monde”, expliquent les enseignants de CM1 Patrick Charles et Philippe Le Vessier. Ainsi, les élèves ont étudié les continents, les océans, ce que sont longitudes et latitudes. Ils ont également appris comment un bateau garde l’équilibre grâce à sa quille. En mathématiques, ils ont appris à utiliser les grands nombres en décrivant et calculant les distances parcourues par les bateaux, comment passer du mile marin au kilomètre… Le site du bateau propose d’ailleurs de nombreuses ressources pédagogiques à destination des enseignants.

“Des idées de futur métier”

L’aboutissement de ce projet a été la rencontre des élèves avec Tanguy de Lamotte, venu à New York avec son bateau fin mai 2016, à l’occasion d’une course reliant New York aux Sables d’Olonne. Les deux classes se sont rendues dans une marina de Manhattan où le bateau était amarré, et ont posé de nombreuses questions au skippeur, qu’ils suivent de près depuis de nombreux mois. “Nous avons appris des choses qui ne sont pas obligatoires, et qui pourraient donner des idées à des enfants pour leur futur métier”, a déclaré un élève de CM1 suite à sa rencontre avec Tanguy de Lamotte, qui s’est d’ailleurs prêté au jeu des questions-réponses.

Tanguy De Lamotte-LFNY

La classe de CM1 de Philippe Le Vessier pose aux côtés du skippeur Tanguy de Lamotte le 27 mai 2016 à Manhattan, dans la marina de North Cove.

Patrick Charles Class

Tanguy de Lamotte arbore la mascotte d’Initiatives Coeur (un petit ours en peluche marron) et une peluche à l’effigie du Lycée Français de New York, avec la classe de CM1 de Patrick Charles.

Le plus impressionnant pour les enfants reste l’engagement du skippeur pour la fondation Mécénat Chirurgie Cardiaque. Son voilier, Initiatives Coeur, vise à sensibiliser et à lever des fonds pour cette organisation qui permet à des enfants souffrant de malformations cardiaques de venir en France et d’être opérés lorsqu’ils ne peuvent être soignés dans leur pays d’origine par manque de moyens financiers et techniques. “Je ne savais pas que la voile est un sport qui peut sauver des enfants”, a indiqué un élève, reflètant la réaction de nombre de ses camarades.

Vu le succès rencontré par ce projet, les enseignants ont décidé de poursuivre l’expérience l’année prochaine dans les classes à l’occasion de la course du Vendée Globe, un tour du monde en solitaire qui a lieu tous les quatre ans. Départ le 6 novembre des Sable d’Olonne.

Texte: Philippe Le Vessier, Patrick Charles et les classes de CM1 B et CM1 E du Lycée Français de New York.

La place du numérique dans l’école primaire

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This article is from the 2015 issue of the LFNY Magazine.

 

Every year in the fall, first and second graders learn how to perform circus-themed activities in the school’s phys-ed (PE) program. “It’s a workshop I especially like because it combines physical exercise with artistic elements and play acting,” says Annabelle Altefrohne, a primary PE teacher, who started the activity shortly after her arrival at the Lycée Français in 2012. Mrs. Altefrohne, one of the school’s 15 technology ambassadors, has found a way to use technology to improve even the PE program, and it all started with a problem she observed.

For two months, the children learn eleven “circus” exercises, including work with an exercise ball, ribbon dance, and tall stilts. PE teachers were using flash cards with illustrations of each exercise as a learning tool. “The children were not looking at them,” she explains. “The cards were not very motivating, because the characters were static and the sequencing of the movements was sometimes difficult to follow.”

Mrs. Altefrohne used the iPad to create short videos illustrating each exercise. The teachers filmed the students performing each activity, and the students were fascinated by the videos, which they could watch as often as they wanted on their own.


1_CoverPhoto “We have four levels of difficulty for each of the eleven workshops so this meant producing 44 videos!” she points out.  “Seeing their classmates in the videos encouraged them to try even harder,” she says.

Mrs. Altefrohne worked in collaboration with other members of the PE primary team to create a simple iPad app for all the videos that made them easy to update for use year after year. “This is an example of the successful use of technology in the classroom based, first and foremost, on the needs of a given course,” notes Adena Dershowitz, Director of Digital Learning at the Lycée, who is spearheading school-wide integration of technology into the classrooms.

“Whispering”

Since the iPad appeared at school in 2012, it has gradually taken a place in the primary classrooms. In 2014-2015, two English teachers used the tool in a joint project that brought together students in pre-K and in the second-grade English-language learning program for students new to the U. S. The second graders were tasked with recording their voices reading books aloud to pre-kindergarteners.

“At first the second graders, who were learning English as a second language, whispered when they were recording on the iPad,” recalls Abby Berkelhammer, who taught elementary English. She used the Puppet Pal app, which allows stories to be told in the form of playful cartoons. “The cartoons were more playful, and this gave more confidence to students, who were, at first, self-conscious when speaking English.”

“The key is balance, finding what tool is best suited for a student and a specific lesson,” Adena Dershowitz, Director of Digital Learning.

One of the Lycée’s strategic objectives for the next five years is to enrich learning with the help of information technology. “The world is increasingly dependent on technology, and it is our role as an educational institution to give our students the skills they need to thrive in it,” says Mrs. Dershowitz.

“We cannot stay in a bubble, resisting change,” adds Vannina Boussouf, who directs the Primary School. “We must accompany students – and teachers – into this new world where technology is everywhere.” New technological tools (computers, iPads, Smartboards, Apple TV) however, are not a panacea. “The key is balance,” adds Mrs. Dershowitz, “and that means finding which tool is best suited for a student and a specific lesson.”

Collaborative learning and self-esteem

One of the key benefits of technology in the classroom is fostering collaboration among students.  Teacher Mylène Ardid used the iPad Subtext app (now known as AR360) in her fifth-grade  class, because it allows students to work independently or in groups on the same text.  She likes being able to let her students learn from their mistakes and to help each other by correcting their classmates’ written work.

“It’s much less teacher-centered, and our students are more in charge of their own learning,” she says.  However, she is also careful to step back from these new tools, when they aren’t needed. “We have to always question if our use of technology makes sense for a particular lesson and choose the best tool,” she says, paraphrasing the technology education expert, Marc Prensky, who presented to faculty and staff during their August orientation in 2014.

3_Specialized_Support

Technology has proven to be a veritable revelation for students with learning challenges. “The iPad is playful, and we can tap that to engage students more fully with their school work,”says Caroline Rys, one of two Primary teachers for students with learning challenges (RASED). In her class, she uses the iPad regularly with her students to search for word definitions with images (often more beneficial), or to dictate words for voice recognition in search (to help youngest students to find a text they are looking for without mastering writing), as well as for its education apps. She says that game-based apps have the advantage of motivating students and helping them to accept their mistakes more easily. “Because it’s not the teacher or the parent who points them out, but rather the app,” she adds.

Ms. Rys, who works with some 25 students each year, finds that the working on the iPad can help children regain confidence that might have been shaken by their difficulties in the classroom. She records and photographs the children to document their progress. “I have them verbalize the methods they used to be successful at a given exercise so they can observe their own progress and use similar strategies outside of my classroom,” she explained.

2_Y3PuppetPal

The videos also serve as a support aid for parents and other teachers by illustrating what each student is doing. “The children are often the ones who want to share their progress with their parents and teachers, because they are proud of their results.” Nurturing self-esteem makes it possible for students to reconnect with the school, a very important aspect of an educator’s work.

Teacher training, a crucial step

“Integrating technology into the classroom requires rethinking teaching methods, and this can be incredibly intimidating a priori,” says kindergarten teacher Alexandre Sivéra. “It’s like a really sophisticated Swiss Army knife that you have to learn to use,” adds Pierre Guillemard, his counterpart in third grade. Both teachers are technology ambassadors, a teacher-to-teacher training program introduced in 2014, that engages one teacher per grade and department to explore the possibilities offered by technology.  The Lycée’s tech ambassadors attend conferences, exchange ideas with each other, and share research and tools with their colleagues. Recent areas of discussion have focused on iPad educational apps, organizing the classroom during a 1:1 session (one iPad per student), or using Google Drive, a student work management platform.

“Technology provides our students the opportunity to learn, collaborate and create in ways unimaginable to previous generations.” Sean Lynch, Head of School.

Teacher training is essential. Technology in education goes well beyond how to use a computer to a complete “rethinking of teaching methods, considering the best tool for successful learning of the lesson at hand, and it takes time,” emphasizes Mrs. Dershowitz. The Lycée’s digital learning department is now a four-person team, including Mrs. Dershowitz, a technology integrator for primary and for secondary, and a media integrator. They work hand-in-hand with teachers both in the classroom and also through a series of workshops, meetings, online tutorials and regular lectures.

“The time given to think and test out new approaches is so important,” says Mr. Sivera, who has a longstanding interest in new technology. He used the iPad augmented-reality app Aurasma in class and shared how he used it with his colleagues (see p.44 for an example of Aurasma at work). He is careful to emphasize that new technology does not play a dominant role in pre-school classrooms. “At this age, what matters is socialization, language, the development of motor and fine motor skills,” he says.

A virtual visit to Versailles

Indeed. Much discussion among faculty centers on balance and just how much time iPads should be used in the classrooms. For Mylène Ardid, an hour a day strikes the right balance. “I have a smaller and more targeted use of technology than I thought I would at first,” she says.

She discovered a way to make studying the reign of Louis XIV more real for fourth graders. Though her class could not visit the palace of Versailles, it was possible to take a virtual tour through Google Art Project, which provides an immersive experience for this world-renowned historic site.

5_GoogleArtProject (1)

“The students were instructed to visit and describe what they saw in the Hall of Mirrors, including the works of art hanging on the walls, and in the Le Nôtre gardens,” explained Mylène Ardid enthusiastically. “No handouts or video could have been as effective as this was in making the subject come alive!”

From third to sixth grades: one iPad per student

The implementation of technology at the school has been gradual. SmartBoards began replacing black boards in some classrooms in the early 2000s, and by 2008, secondary teachers were given laptops and all primary teachers had desktop computers in the classrooms. Laptops were made available to students as needed, through circulating laptop carts that teachers could use when lessons required them.

Beginning in 2012, the school began exploring the possibility of implementing a true 1-to-1 program, in which each student has his or her own device. “The iPad was chosen for this program, because it is a more discreet tool, less intrusive than a laptop, easier to start up, and more suitable for focusing on one task at a time,” says Mrs. Dershowitz.

In January 2013, a 1-to-1 program was introduced in Sonia Rocca’s sixth-grade Italian class (see World Languages story on p. 30). Students were given their own iPads for class and were able to bring them home to do homework. At the end of the year, the results of program were clear. In understanding, speaking and reading in Italian, the sixth graders in the 1-to-1 program surpassed the previous year for the same period. “Sonia’s success reinforced our decision to develop a 1-to-1 program across the school,” says Mrs. Dershowitz.

After a year of training, in fall 2014, a 1-to-1 program was implemented in fifth grade, and at the start of 2015, all fourth, fifth and sixth grades adopted the program, with only sixth graders being allowed to bring their iPads home in the evening. In September 2016, the 1-to-1 will be extended from third to seventh grades. Once again, only Secondary school students will be allowed to bring their iPads home. Primary students will leave them locked in cabinets in the classrooms.

“We want to teach students to think of the iPad as a learning tool, and not just a game console,” Mrs. Dershowitz stressed.

Click here to read the article in LFNY Magazine.

Once Upon a Time…

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After a break like the one our students have just enjoyed, something like the following exchange will often take place. “How was vacation?” I will ask. “Great,” will hopefully come the answer, on which I will build with a lighthearted plea for detail: “How about a story? Just one story, [name], about something interesting that happened while you were away from our beloved school!” And more often than not, when our student has a moment, he or she will plunge enthusiastically into the tale of a visiting relative or an unexpected discovery about New York or a imaginative afternoon spent reinventing the world with friends.

“Well, there was this time when…,” our student might begin. What enchanting words to hear, as one of our young story-tellers recounts a paragraph or even a page from his or her life, with an articulateness, an attention to detail, a wit and many other qualities that captivate and regale. To engage LFNY students in the construction of narrative, whether in this spontaneous way or through a deliberate approach in our classrooms, strikes me as important for several reasons.

Storytelling may well be that trait which most distinguishes humankind from other species. Yet as many observers of our nascent 21st century would argue, perhaps the most highly regarded among whom is Dan Pink, whose book A Whole New Mind: Why Right-Brainers Will Rule the World became an international classic the moment it was published in 2005, there has never before been an era quite like ours, in which the skills of narration are so absolutely critical for us to master. For starters, Pink would affirm, the ability to make sense of our lives and the world around us in an age of unprecedented change and complexity is necessary to our feeling of purpose and harmony with life.

6th-graders record an interview in the school's new media lab. Credit: J. Rogers

6th graders record an interview in the school’s new media lab. Credit: J. Rogers

Furthermore, learning the craft of storytelling hones our creativity in ways that nothing else can, in the same way that understanding the stuff of narration from the inside provides us with critical thinking skills that have never been as crucial as they are in the media-saturated age of today. Authentic, incisive, compelling storytelling is also becoming a competency that colleges and universities prize; few would dispute the likelihood that a decade from now, if not much sooner, renowned institutions of higher education will be asking applicants to present digital portfolios telling the story of their academic and co-curricular achievements. There is the socioeconomic too. Given the tertiarisation and computerization which have been the driving forces of the global economy for several decades, demonstrating an aptitude for sophisticated narration is a prerequisite for success in the workplace of tomorrow.

How can our students learn to be brilliant storytellers, for their own benefit and the sake of us all, is thus a question worth posing, as we have long done at the LFNY.* By effective storytelling, we also mean being adept at employing not just pen, paper and podium as humankind has done for centuries, but harnessing the digital technologies of our epoch to advance the narratives our students wish and will one day need to weave, digital technologies that are revolutionizing the craft of storytelling and providing possibilities for expression that were previously inconceivable.
future-of-storytelling-conference

Consider virtual reality, otherwise known as VR, which figured prominently at the mesmerizing Future of Storytelling Festival organized in New York City during the first week of the October vacation and which some of the youngest among us attended, experiencing what it is like to fly like a bird over a landscape of their choosing or to be the chief engineer on the bridge of the Starship Enterprise, but also to bear witness to an incident of racist discrimination or to participate in a movement for national self-determination 100 years ago. Are these the kinds of stories we will learn to create in the new media lab, one of our student participants asked. Yes, came my answer. And what an adventure it will be!

*Please do come to our York Wing Community Day on November 12 for an opportunity to tell your own story at the LFNY Voices Booth!

Manus et Machina

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If you were in New York City this past summer, you may have had the memorable privilege of seeing a wonderful exhibit at the Metropolitan Museum of Art entitled Manus x Machine: Fashion in the Age of Technology.

© Sean Lynch

© Sean Lynch

This show was unusually captivating because it gave the assembled thousands who visited it a unique opportunity to view some extremely rare and beautiful examples of “haute couture”,like for instance the “Sardine” dress which Yves Saint Laurent designed in 1983. Yet it was wonderful above all because it conveyed an especially compelling message for our times: rather than consider handmade art to be naturally superior to machine-assisted craftsmanship, museum-goers were invited to recognize that “the art of creation” is the same in each, to paraphrase YSL himself.

© Elisabeth King

© Elisabeth King

Or to quote from the curator of Manus x Machina, “instead of presenting the handmade and the machine-made as oppositional, this exhibition suggests a spectrum or continuum of practice, whereby the hand and the machine are equal and mutual protagonists in solving design problems, enhancing design practices, and, ultimately, advancing the future of fashion.”

Creating a dialogue and ultimately an integration of science, technology, engineering and mathematics with art, and everything related, lies at the heart of our strategic vision for the coming years, supported by a dynamic combination of new space, new staffing and new learning experiences for our students. MakerspaceRegarding the first of these innovative dimensions, you will have already heard about the state-of-the art makerspace we have just opened, equipped with everything from hammers and saws to sewing machines and drills, not to mention 3-D printers and a laser cutter. However, if you have not yet had a chance to visit it in person, we enthusiastically invite you to do so on our York Wing Community Day, taking place on Saturday, November 12. As you will see for yourselves, this new area of our school is an exceptional place for tinkering, designing, prototyping and making just about anything a student might dream up.

To help us to take the fullest possible advantage of the unparalleled learning opportunities which the makerspace offers, we are immensely fortunate to be able to call on the vast talents of a remarkable new member of the Lycée Français de New York faculty: Adam Romary. adam romaryWith 15 years of experience in teaching science, engineering and design at leading independent and public schools in the United States, Mr. Romary is deeply passionate about advancing the culture of making at the LFNY. He explains that “the pinnacle goal for a makerspace is student-directed learning,” while recognizing that each student will have a distinctive starting point and need personalized support along the way. In a recent conversation, he told me the story of building a go-kart with his father when he was still in upper elementary school and over the course of that project going from having relatively little interest in mechanical engineering to cultivating what has become a lifelong love of making.

For Mr. Romary, every student has a creative potential which is simply waiting to be tapped and what the makerspace does is to multiply the chances that each person will be able to find and refine his or her preferred means of creative expression. In his view, “we’re all intrinsically makers, happiest when we are creating and trying to change the world around us for the better.” robotiqueDo the tools which students have at their disposal, I asked him, have to be at the cutting-edge of technology? No and yes, came his thoughtful reply. No because they can and should sharpen their creativity without access to lasers, but yes because the sophistication of today’s technologies will in many ways free our students to focus even more than ever on the most inventive aspects of the making process. Not everyone will become an aeronautical engineer, an architect or a product designer, but all will cultivate the particularly creative mindset and competencies which learning by inventing fosters.

Which leads me to the programming we are now putting in place, ranging from multiple curriculum-based inter-disciplinary projects called “parcours” to various age-appropriate co-curricular robotics-focused activities. 9x7a8908This week, our makerspace was repeatedly given over to our tenth grade students and their artist-in-residence, Beatrice Coron. Acclaimed for the exquisite esthetic of her paper cuts, which when they adorned the New York City subway five years ago kept “riders from getting off at the right stop,” Ms. Coron began by immersing our Seconde classes in the fascinating history of paper-cutting around the globe and then engaged them in a thrilling exploration of the theme of journeys through paper cuts of their own. Using paper, pencils, hand-held cutters and glue, assisted by computer software and a state-of-the-art laser cutter, 9x7a8857-1and guided at all times by a extraordinarily inspirational artist, our Seconde students were able to throw themselves into the messy purposefulness of the making process, translating their creativity into images and tales of voyages, both imagined and real, which captivated everyone who attended the final exhibition of their works this past Friday afternoon. Metropolitan Museum of Art, please stay tuned. A new generation of makers is on its way!

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